[1]闻婧.徽州古民居彩绘装饰的形成及视觉呈现[J].西安建筑科技大学学报(社会科学版),2017,36(01):77-82.[doi:10.15986/j.1008-7192.2017.01.014]
 WEN Jing. The Formation and the Visual Presentation of the Painted Decoration in Huizhou Ancient Dwelling Houses[J].Journal of Xi’an University of Architecture & Technology(Social Science Edition),2017,36(01):77-82.[doi:10.15986/j.1008-7192.2017.01.014]
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徽州古民居彩绘装饰的形成及视觉呈现()
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西安建筑科技大学学报(社会科学版)[ISSN:1008-7192/CN:61-1330/C]

卷:
36
期数:
2017年01期
页码:
77-82
栏目:
建筑文化
出版日期:
2017-02-25

文章信息/Info

Title:
 The Formation and the Visual Presentation of the Painted Decoration in Huizhou Ancient Dwelling Houses
文章编号:
1008-7192(2017 )01-0077-06
作者:
闻婧
安徽工程大学 艺术学院,安徽 芜湖 241000
Author(s):
WEN Jing
School of Arts, Anhui Polytechnic Universtity, Wuhu 241000, China
关键词:
徽州古民居彩绘装饰视觉
Keywords:
Huizhou ancient dwelling house painting decoration visual
分类号:
TU-851
DOI:
10.15986/j.1008-7192.2017.01.014
文献标志码:
A
摘要:
徽州古民居彩绘分布在古徽州辖治范围之内,大致在今天的皖南及周边区域。由于地理条件的限制,徽州古民居形成了独特的内部结构、外部特征以及区域人文背景下的彩绘装饰。这与徽州文脉、哲学、宗法、伦理、经济、社会、艺术等因素有着直接的关联。通过徽州人民对美好生活的向往和憧憬,彩绘装饰的视觉体系也呈现出绘制载体下的内容题材、色彩表达、技术呈现、审美语素等不同的特点。徽州古民居彩绘装饰把文化与商业双重因素的关联性体现的丰富而具体,把儒家为支柱的文化在道、释文化融汇下的美好寓意呈现的既风尚儒雅,又和谐圆融。
Abstract:
The painted decoration is distributed in Huizhou ancient dwelling houses located roughly in today’s southern Anhui and surrounding areas. Due to the geographical limitation, the houses are unique in the internal structure, the external feature, as well as the painted decoration associated directly with such local culture features as context, philosophy, patriarchal system, ethics, economy, society, art, etc. Conveying people’s yearning and their longing for a better life, the decoration visual system also shows a variety of theme, color expression, technical presentation, aesthetic morpheme on certain painting carriers. Based on a rich and specific expression of the integration of culture and business, the painted decoration in Huizhou ancient dwellings pillared with Confucian culture is elegant in fashion and harmonious in blending Taoist and Buddhist cultures.

参考文献/References:

[1]李琴. 浅析徽州民居装饰艺术符号的文化传承[J].艺术教育,2016(1):78-79.
[2]王燕,许存福. 浅析徽州古村落美的要素[J].山东农业工程学院学报,2016(2):86-89.
[3]余汇芸,左铁峰. 徽州传统民居建筑的设计美学特性初探[J].黄山学院学报,2016(1):174-176.
[4]张军. 明清时期徽州婺源汪口村建筑装饰的工艺技法研究[J].设计,2016(13):61-65.
[5]陈庆军. 契约与装饰──明清徽州营造活动的行为规约[J].装饰,2015(1):55-57.

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[2]江保锋,闻 婧.徽州传统民居门罩的装饰呈现与审美内涵[J].西安建筑科技大学学报(社会科学版),2019,38(02):4.[doi:10.15986/j.1008-7192.2019.02.002]
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备注/Memo

备注/Memo:
收稿日期:2016-09-14
基金项目:安徽省教育厅高等教育提升计划省级科学研究一般项目“徽州古民居装饰符号研究”(TSSK2015B07);安徽省教育厅高校人文社会科学研究重点项目“皖南地区现代村落空间环境设计研究”(SK2016A0115)
作者简介:闻婧(1983-), 女,安徽工程大学艺术学院讲师,硕士,研究方向为设计艺术学、绘画。E-mail: jbf07@sohu.com
更新日期/Last Update: 2017-03-15