[1]钱旭初.祛魅后的作家自觉——从张欣的《不在梅边在柳边》谈起[J].西安建筑科技大学学报(社会科学版),2013,32(01):45-49.
　Qian Xuchu.A Novelists Self-Consciousness after Disenchantment---- A Study with A Love Story of Plum and Willow of Zhangxin[J].Journal of Xi’an University of Architecture & Technology(Social Science Edition),2013,32(01):45-49.
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祛魅后的作家自觉——从张欣的《不在梅边在柳边》谈起()

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西安建筑科技大学学报（社会科学版）[ISSN:1008-7192/CN:61-1330/C]

Title:: A Novelists Self-Consciousness after Disenchantment---- A Study with A Love Story of Plum and Willow of Zhangxin

Author(s):: Qian Xuchu; (Jiangsu Radio and TV University Jiangsu, Nanjing, 210036)

Keywords:: Zhang Xin; a Love Story of Plum and Willow; Popularized narration; Intellectuals; Spiritual Crisis

摘要:: 在文化场域世俗化背景下，在创作中自觉将人文精神和通俗化笔法弥合具有的十分重要的意义。长篇小说《不在梅边在柳边》中，表现了当下知识分子身份迷失的世俗化困境与精神撕裂的悲剧性存在，同时作者张欣在小说中，充分使用通俗化元素的知识谱系，深入探究现代人（尤其是知识分子）的精神危机，探究人与人之间复仇与掠夺的悲剧性存在，较好地寻找到了将文学叙事的通俗笔法与作家精英立场之间的对接，将原本叙事的对立转化为了依存和共赢。

Abstract:: It is of great significance to express human spirit in a popularized manner when creating a novel, especially in a secularized literary world. After reading “A Love Story of Plum and Willow”, we can see the identity loss the tragedy existence of intellectuals in a secularized dilemma. The novel also gives insight into the spiritual crisis of modern people and revenge between people by introducing popularized factors into the novel. It also set an example for compromising between popularized narration and novelist’s elite point of view, turning opposition into reliance and cooperation

[1] 初清华 . 新时期文学场域研究 [M]. 北京 : 人民出版社 ,2010.

[2] 陶东风 . 当代中国文艺思潮与文化热点 [M]. 北京 : 北京大学出版社 ,2008:15.

[3] 张欣 . 不在梅边在柳边 [M]. 南京 : 江苏文艺出版社 ,2011.

备注/Memo:: 收稿日期 :2012-12-17

作者简介 : 钱旭初 (1962-), 男 , 江苏常州人 , 江苏广播电视大学教授 , 研究方向为中国现当代文学?

更新日期/Last Update: 2015-09-08