[1]杨新磊,王继武.影像公共性对精神归属感的颠覆抑或纪实摄影的焦虩与惶惑[J].西安建筑科技大学学报(社会科学版),2011,30(02):47-52.[doi:10.1068/p3210. PMID 11721819.]
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影像公共性对精神归属感的颠覆抑或纪实摄影的焦虩与惶惑()
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西安建筑科技大学学报(社会科学版)[ISSN:1008-7192/CN:61-1330/C]

卷:
30
期数:
2011年02期
页码:
47-52
栏目:
出版日期:
2011-04-30

文章信息/Info

Title:
Images Publicity Overthrow the Spirit peradventure or the Deeply Anxiety from Documentary Photography
作者:
杨新磊 王继武
(西安建筑科技大学,陕西西安 710055)
关键词:
公共性 危机 现代性 全球化 海德格尔 认同感 归属感
Keywords:
Publicity CrisisModernity GolbalizationMartin Heidegger Sense of self-identity Sense of belonging
分类号:
J402
DOI:
10.1068/p3210. PMID 11721819.
摘要:
纪实摄影陷入了深重的危机,本体的含混却又了遭遇“观念摄影”尤其“纯摄影”等当代影像艺术之围剿,酷似全球化世纪荒凉中建筑学的内忧外患。影像人文归属感的迷失,源于摄影家对纪实摄影认同感的阙如。笔者愿美与善回归海德格尔之“本真”,在公共性的“无物之阵”中探询自我的归属感,在现代性构筑的空间诗意地栖居,策动一次拯救人类魂髓的精神突围。
Abstract:
Documentary photography has immersed into a crisis deeply, whose essence’s contradiction is been beleaguering by so-called“Ideal photography”especially“Pure photography” as well as other contemporary image art, which is same to the intrinsic apprhension of danger and the extrinsic intimidation in centurial desolation from golbalization. Those images lost a sense of belonging to humanism, which roots in the vacancy of a sense to self-identity. The authors wish beauty and kindness return to the “Authentiziaet” that Martin Heidegger named, to instigate a spiritual breakout to rescue huanm’s soul, for seeking self-identity, for settling the room constructed by modernity poetically, during publicity constructed the unbodied bastion.

参考文献/References:


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备注/Memo

备注/Memo:
收稿日期:2010-10-15 杨新磊(1974-),男,陕西宝鸡人,西安建筑科技大学建筑文化专业博士研究生,首都师范大学科德学院副教授,研究方向广播电视艺术学、电影学、传播学等。 ]《林中路》,海德格尔著,孙周兴译,上海译文出版社,2004年7月版。 《城市意象》,凯文·林奇著,方益萍、何晓军译,华夏出版社2001年4月版。
更新日期/Last Update: 2015-09-07