[1]朱泽鑫.永井荷风的江户建构与现实批判[J].西安建筑科技大学学报(社会科学版),2020,39(06):94-100.[doi:10.15986/j.1008-7192.2020.06.013 ]
　ZHU Ze-xin.Nagai Kafu's Edo Construction and Realistic Criticism[J].Journal of Xi'an University of Architecture & Technology(Social Science Edition),2020,39(06):94-100.[doi:10.15986/j.1008-7192.2020.06.013 ]
点击复制

永井荷风的江户建构与现实批判()
分享到：

西安建筑科技大学学报（社会科学版）[ISSN:1008-7192/CN:61-1330/C]

卷:
39
期数:
2020年06期
页码:
94-100
栏目:
文学
出版日期:
2020-12-20

文章信息/Info

Title:
Nagai Kafu's Edo Construction and Realistic Criticism
文章编号:
1008-7192( 2020)06-0094-07
作者:
朱泽鑫
(福建师范大学 文学院,福建 福州 350007)
Author(s):
ZHU Ze-xin
(School of Literature, Fujian Normal University, Fuzhou 350007, China)
关键词:
永井荷风;  江户;  现实批判
Keywords:
Nagai Kafu;  Edo;  realistic criticism
分类号:
I3/7
DOI:
10.15986/j.1008-7192.2020.06.013
文献标志码:
A
摘要:
诸多学者认为永井荷风的文学作品极具唯美色彩,反映了他消极避世、颓废享乐的世界观。但在其唯美的表象下,实则隐藏着对日本社会的批判与现代文明建设的参与。通过分析永井荷风文学中的艺伎、江户艺术、江户遗迹叙述,发现其笔下的江户既是与现代文明相对立的日本传统文明象征,又是作者借以反叛日本权威官方的媒介。随着日本言论管控加剧,永井荷风不断减弱其创作中的反叛立场,因而江户所象征的传统文明一面被凸显。但江户本身作为反叛的隐喻,以主题或素材始终贯穿着永井荷风的文学,他的作品并不是没有现实批判性的文学。
Abstract:
It is generally acknowledged by domestic academic circles that Nagai Kafu's literature is extremely aesthetic and reflects his passive and reclusive world outlook and the life indulging in decadent enjoyment. But this paper holds that behind its aesthetic appearance remain his critiques of Japanese society and his participation in the modern construction of Japanese civilization. Analyzing the Edo cultural elements such as Geisha, Edo art and Edo relics in Nagai Kafu's works, this paper points out that his Edo serves as not only a symbol of Japanese traditional culture opposite to the modern civilization, but also a medium for him to rebel against Japanese authority. With the intensification of speech control in Japan, Nagai Kafu continuously weakens his rebellious stance in his creation, hence Edo is highlighted as a symbol of traditional civilization. Nevertheless, Edo, a theme or material, still runs through the whole of Nagai Kafu's literature as a metaphor of rebellion. His literature is not one without realistic criticism.

参考文献/References:

[1] 齐佩.日本唯美派文学研究[M].北京:中国社会科学出版社,2009.
[2]沈中琦.艺妓——日本的浮世佳人[M].上海:上海辞书出版社,2003.
[3]竹村民郎.大正文化:帝国日本的乌托邦时代[M].欧阳晓,译.上海:上海三联书店,2015.
[4]永井荷风.晴日木屐[M].陈德文,译.广州:花城出版社,2012.
[5]永井荷风.濹东绮谭[M].谭晶华,郭洁敏,译.上海:上海译文出版社,2018.
[6]丽莎·C.第儿贝.我在京都当艺伎:一个美国女学者的花街生活[M].黄佼,阎密,译.北京:金城出版社,2006.
[7]藤本箕山,九鬼周造,阿部次郎.日本意气[M].王向远,译.长春:吉林出版集团有限责任公司,2012.
[8]永井荷风.江户艺术论[M].东京:岩波书店,2000.
[9]CHENG C M. Nagai Kafu and Chinese tradition[D]. Princeton:Princeton University, 1971.
[10]永井荷风.舞女[M].宋再新,译.成都:四川文艺出版社,1988.
[11]永井荷风.争风吃醋[M].李远喜,译.桂林:漓江出版社,1990.
[12]HUTCHINSON R. Nagai Kafu's Occidentalism: Defining the Japanese Self[M]. New York: State University of New York Press, 2011.
[13]冲浦和光.“恶所”民俗志:日本社会的风月演化[M].张博,译.上海:上海三联书店,2015.
[14]SNYDER S. Fictions of Desire[M]. Honolulu: University of Hawai'i Press, 2000.
[15]SEIDENSTICKER E. Kafu the Scribbler: The Life and Writings of Nagai Kafu, 1879-1959[M]. Calif.: Stanford University Press, 1965.
[16]永井荷风.永井荷风散文选[M].陈德文,译.天津:百花文艺出版社,1997.
[17]周朝晖.日本日记文学的最高峰——永井荷风的《断肠亭日乘》[J].书屋,2015(1):67-71.
[18]永井荷风.永井荷风集(一)[M].东京:筑摩书房,1969.
[19]小川利康.周氏兄弟与大逆事件[J].社会科学辑刊,2017(3):159-166.
[20]CATHER K. The posthumous censorship trial of Nagai Kafu[J]. Japan Forum, 2007(3): 411-428.
[21]谷口严.战争时期的永井荷风:《断肠亭日乘》的十五年[C]//山田敬三,吕元明.中日战争与文学:中日现代文学的比较研究.林岚,译.长春:东北师范大学出版社,1992.

备注/Memo

备注/Memo:
收稿日期:2020-03-09
作者简介:朱泽鑫(1995-),男,福建师范大学文学院硕士研究生,研究方向为中日文学文化比较。E-mail:matthew1995@qq.com

更新日期/Last Update: 2020-12-20