[1]白玉华.媒介时代镜像自我呈现:主体困境与认同重构[J].西安建筑科技大学学报(社会科学版),2022,41(02):88-94.[doi:10.15986/j.1008-7192.2022.02.012]
　BAI Yu-hua.The Construction and Reflection of the Mirror Self in the Media Age[J].Journal of Xi'an University of Architecture & Technology(Social Science Edition),2022,41(02):88-94.[doi:10.15986/j.1008-7192.2022.02.012]
点击复制

媒介时代镜像自我呈现:主体困境与认同重构()
分享到：

西安建筑科技大学学报（社会科学版）[ISSN:1008-7192/CN:61-1330/C]

卷:
41
期数:
2022年02期
页码:
88-94
栏目:
文学
出版日期:
2022-04-26

文章信息/Info

Title:
The Construction and Reflection of the Mirror Self in the Media Age
文章编号:
1008-7192(2022)02-0088-07
作者:
白玉华
(陕西师范大学 文学院，陕西 西安 710119)
Author(s):
BAI Yu-hua
(School of Chinese Language and Literature, Shaanxi Normal University, Xi'an 710119, China)
关键词:
媒介;  自我镜像表达;  自我镜像呈现;  主体困境;  重构可能
Keywords:
Medium;  self-mirror expression;  self-mirror presentation;  subject dilemma;  reconstruction possibility
分类号:
G206
DOI:
10.15986/j.1008-7192.2022.02.012
文献标志码:
A
摘要:
媒介时代自我镜像特征体现得极为明显，作为主体的人受到媒介话语的规训，通过自恋式表达、自我解构式表达、沉默的诉说等方式，呈现出表演型、开放型、自恋型结合的镜像自我，同时也表露出主体在媒介时代面临着认同的确定性与经验的碎片化、遮蔽和去蔽、真实和表演、主体的主动性和被动性失衡等困扰。困境意味着转机，肯定个人与时代的积极磨合、重申正确的价值体系和道德伦理的意义、重视艺术对自我的洗礼作用都将有助于主体在媒介时代打破镜像自我，重建真实自我。
Abstract:
The characteristics of self-mirroring in the media age are extremely obvious. Subjects are disciplined by media discourse, and through narcissistic expression, self-deconstructive expression, silent narration, etc., they present a combination of performance, openness, and narcissism. The mirror image of the self also reveals that the subject is faced with the certainty of identity and fragmentation of experience, concealment and de-concealment, reality and performance, and the imbalance of the subject's initiative and passivity in the media age. Dilemma means a turning point. Affirming the positive running-in between the individual and the times, reaffirming the correct value system and the meaning of ethics, and attaching importance to the baptism of art on the self will help the subject break the mirrored self and rebuild the true self in the media age.

参考文献/References:

[1]孙旭.主体困境与再生可能:微媒介中的自我镜像[J].现代传播(中国传媒大学学报),2020(42):41-48.
[2]刘斌.大众媒介:权力的眼睛[J].现代传播-北京广播学院学报,2000(2):26-30.
[3]拉斯奇.自恋主义文化[M].陈红雯,吕明译.上海:上海文化出版社,1988.
[4]黄臻.浅析戈夫曼戏剧理论中的“自我”[J].汕头大学学报,2012(6):51-53.
[5]欧文·戈夫曼.日常生活中的自我呈现[M]. 冯刚,译.北京:北京大学出版社,2008.
[6]HALL S, HELD D, MCCREW T. et al. The Question of Cultural Identity[M]. Cambridge:Polity Press.1991.
[7]杨向荣.新媒介时代的文化镜像及其反思[J].山东社会科学,2020(12):46-52.
[8]王菱.第二媒介时代的主体建构[J].中华文化论坛,2011(5):170-174.
[9]乔治·赫伯特·米德.心灵、自我与社会[M]. 霍桂桓,译.北京:华夏出版社,1999.
[10]郭庆光.传播学教程[M].北京:中国人民大学出版社,1999.
[11]艾里希·弗洛姆.健全的社会[M]. 孙恺祥,译.北京:人民文学出版社,2018.
[12]阿格妮丝·赫勒.日常生活[M]. 衣俊卿,译.重庆:重庆出版社,2010.
[13]李旭.媒介权力与媒介知识分子的身份认同[J].江西财经大学学报,2009(1):97-103.
[14]阿兰·德波顿.身份的焦虑[M]. 陈广兴,南治国,译.上海:上海译文出版社,2009.
[15]雅克·拉康.拉康选集[M]. 褚孝泉,译.上海:华东师范大学出版社,2019.
[16]许正林. 欧洲传播思想史[M]. 上海:上海三联书店,2005.

备注/Memo

备注/Memo:
收稿日期:2021-06-19
作者简介:白玉华(1995-),女,陕西师范大学文学院硕士研究生,研究方向为中国现当代文学。E-mail:mdyx354000@163.com
更新日期/Last Update: 2022-04-26