“诗人”的选择——艺术生产中的创作心理研究
赵 茜

(陕西理工大学 文学院,陕西 汉中 723000)

艺术生产; “诗人”; 创作动机; 创作心理

Selection of “Poets”——A research on the creative psychology in art production
ZHAO Xi

(School of Chinese Language and Literature, Shaanxi University of Technology, Hanzhong 723000, China)

artistic production; “poet”; the motive for creation; the sychology of creation

DOI: 10.15986/j.1008-7192.2018.06.013

备注

艺术生产作为艺术形态中审美性的精神生产,探索它的创作动机、生产方式以及创作心理都不应脱离创作者本身。《诗人与白日梦》探究诗人创造性的生产文艺作品所需资料的获得途径和输出方式,由于其原因和技法的复杂性而不能简单将诗人的灵感归结为类似白日梦的幻觉或者就是白日梦本身。但也不可否认,“白日梦”这种解释方法的确对“诗人”的艺术生产有着不可忽视的影响。结合《月亮与六便士》和《霸王别姬》来探讨“诗人”的选择与心理状态,从而明晰“诗人”的艺术生产动机、创作心理等一系列艺术创作感受。

Since the artistic production is an aesthetic spiritual one in art form, the exploration of its motive for creation, the way of production and the psychology of creation should not be independent of the artist himself. Creative Writers and Day-dreaming by Sigmund Freud explores the approaches in which the poet obtains and outputs the information he needs for his creative production of literary and artistic works. Because of the complexity of the reasons and techniques, the poet's inspiration cannot be simply attributed to a daydream-like illusion or the daydream itself, nor can it be denied that the interpretation of “daydream” has an unignorable influence on the artistic production of poets. Based on the study of The Moon and Sixpence and Farewell My Concubine, the paper discusses the selection and psychology of the “poet”, so as to clarify a series artistic authoring experiences like the motive of artistic production and the creative psychology.