传统与现代的游离与对抗——从符号学角度浅析贾平凹小说叙述框架

(索邦大学 语言与概念学院,巴黎 75005)

符号学; 格雷马斯; 叙述框架; 贾平凹小说

The Dissociation and the Confrontation between Tradition and Modernity——A brief analysis on the narrative structure of Jia Pingwa's novels from the perspective of semiotics
FENG Jie

(School of Languages and Concepts,Sorbonne University, Paris 75005,France)

semiotics; Greimas; narrative structure; the novels of Jia Pingwa

DOI: 10.15986/j.1008-7192.2022.01.011

备注

贾平凹作为当代最著名且最具代表性的作家之一,其作品无论从内容的展示、思想内涵还是从艺术形式的表达上都独具一格,具有非常成熟的表现。在肯定其小说创作对文化推广作用的同时,使用符号学理论对其小说的叙述框架做以阐释。使用由格雷马斯建立的叙述符号学理论分析贾平凹极具中国地方特色及时代特色的小说作品,以展示其相对于现行的中国文学评论所具备的更多的契入点和视角,从而进一步突出作品的丰富性。以此视角来简要分析其小说的叙事形态,小说所含的意义以及其意义的组织形式,包括作者的写作风格。

As one of the most famous and representative writers in contemporary China, Jia Pingwa's works are unique in terms of content display, ideological connotation and expression in artistic form, and they all have very mature performances. While affirming its novel creation and its role in cultural promotion, this article briefly explains the narrative structure of Jia Pingwa'snovels by using semiotic theory. Based on the Semiotics established by A.J. Greimas(1917-1992), itstudies the Chinese local and era characteristics of his works and tries to presentmore starting points and perspectives of his novels than what have been discussed in the field of current Chinese literature reviewto further highlight the richness of the works. From this perspective,the paper also analyzes Jia Pingwa's novelsbriefly about the narrative form, the meanings of the novels and the organization of their meanings and the author's writing style.