后现代语境中詹姆逊的“认知绘图”理论-西安建筑科技大学学报（社会科学版）

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Title:: On Jamesons Cognitive Mapping Theory in Post- Modernistic ContextCHEN Chun-li

摘要:: 在后现代社会阶段，人类的生存境况和知识结构发生了巨大的变化，新的环境使得美学的内容和功能也发生了变化。所以，詹姆逊要绘制一幅全球性的“认知绘图”美学，以正确地分析和判断后现代文化的状况和处于这种文化语境中的人类的现在和未来。他借鉴地图学的意义，为认知领域勾画出以“空间”概念为基本依据的“认知绘图”。“认知绘图”是詹姆逊精心设计的崭新文化政治模式，为当代文化提供一种新方法和新视角，借此研究后现代时刻奇特怪异的全球性空间。詹姆逊的“认知绘图”理论突破了传统的反映模仿说和旧的“再现意识形态”的框架，在新的历史境遇中融入了更多的内容，形成一种兼容并包的美学模式。

Abstract:: In the post-modern society, great changes have taken place in the living survival condition and the knowledge structure. The new context initiates changes in the content and function of aesthetics. So Fredric Jameson introduced an aesthetic theory of cognitive mapping world-wide, so as to assess the status of post-modern culture and the present and future situation of people living in. According to cartography, he constructed a cognitive mapping about the cognitive domain on the basis of “Space” concept. Jameson’s theory of “Cognitive Mapping” is a brand-new mode of cultural politics, which provides a new approach and perspective for the contemporary culture study on this bizarre global space in the post-modern era. Breaking through the traditional imitation theory of relectionism and the reconstruction of old ideological framework, he blends in his theory more content of th(e new circumstance, hence a compatible mode of aesthetics