和顺图书馆建筑群建筑美学的表里中外-西安建筑科技大学学报（社会科学版）

文章信息/Info

Title:: From Representation to Connotation and from Chinese to Foreign in the Architectural Aesthetics of the Heshun Library Compound

摘要:: 对和顺图书馆建筑群的建筑美学进行层层梳理与学理性分析。文章通过田野调查收集一手资料与文献研究梳理脉络，结合美学理论层层递进地研究建筑群的形式美、意蕴美、内涵美，全面剖析建筑群的建筑美学特征及其蕴含的文化内涵。和顺图书馆建筑群的建筑美学具有西南边境地方民族特色与侨乡建筑特色，是多民族文化交往交流交融的载体。建筑群通过对其他民族优秀文化的吸收、借鉴与融合创新，使其他民族文化实现了在地化的嬗变，其建筑美学也呈现出与多民族共享的审美情趣、文化信仰、精神追求特征。通过对和顺图书馆建筑群的建筑人类学考察与分析，从中窥视出其建筑美学具有以审美为路径的民族交融性与共同体特征，为铸牢中华民族共同体意识路径构建提供新思路。

Abstract:: The article examines the architectural aesthetics of the Heshun Library complex from a la＜x＞yered and rational perspective. It uses field investigation and literature research to collect primary data and trace the historical context, and applies aesthetic theory to explore the formal beauty, meaning and connotation of the complex. It also analyzes the cultural implications and aesthetic features of the complex, which reflect the local ethnic diversity of the southwest border and the overseas Chinese heritage. The complex demonstrates the intercultural exchange and integration of multiple ethnic groups, as it incorporates, references and synthesizes elements from other cultures. The architectural aesthetics of the complex also expresses the common aesthetic preferences, cultural values and spiritual aspirations of different ethnic groups. By investigating and analyzing the architectural anthropology of the Heshun Library complex, this article argues that its architectural aesthetics embodies a sense of national unity and community through an aesthetic path, which offers new insights for the construction of a shared identity for the Chinese nation.