[1]沈 旭.释体校用:论《文心雕龙校释》校字的独特样貌[J].西安建筑科技大学学报(社会科学版),2022,41(03):92-100.[doi:10.15986/j.1008-7192.2022.03.013]
　SHEN Xu.The Literary Interpretation in Textural Emendation: on the Characteristics of Emendation and Interpretation of the Literary Mind and the Carving of Dragons[J].Journal of Xi'an University of Architecture & Technology(Social Science Edition),2022,41(03):92-100.[doi:10.15986/j.1008-7192.2022.03.013]
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释体校用:论《文心雕龙校释》校字的独特样貌()
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西安建筑科技大学学报（社会科学版）[ISSN:1008-7192/CN:61-1330/C]

卷:
41
期数:
2022年03期
页码:
92-100
栏目:
文学
出版日期:
2022-06-25

文章信息/Info

Title:
The Literary Interpretation in Textural Emendation: on the Characteristics of Emendation and Interpretation of the Literary Mind and the Carving of Dragons
文章编号:
1008-7192(2022)03-0092-09
作者:
沈 旭
(首都师范大学 文学院,北京 100048)
Author(s):
SHEN Xu
(School of Literature, Capital Normal University, Beijing 100048, China)
关键词:
《文心雕龙校释》;  刘永济;  校字;  范式;  义理
Keywords:
Emendation and Interpretation of the Literary Mind and the Carving of Dragons;  Liu Yongji;  emendation;  paradigm;  argumentation
分类号:
I206.2
DOI:
10.15986/j.1008-7192.2022.03.013
文献标志码:
A
摘要:
学界对刘永济《文心雕龙校释》校字部分的研究尚不充分,然刘氏之校始从于范文澜《文心雕龙注》,后自成一家且产生较大影响,是勾连《文心雕龙》校勘史发展脉络的重要角色之一。从宏观上看,其校在个人文化理想的指引下,形成了独特的校勘样式:摒弃传统考据的理路,径自走向心灵的体悟和义理的彰明。这既是对传统校雠范式的突破,也为后来《文心》译注的新变拉开序幕,在“龙学”发展史上处于承前启后的节点。就微观而言,刘氏在前后相应、内外相参的整体视野下,将传统校勘理念内嵌于其大胆的推论中,形成一种义理的自洽,进而为校字之“真”提供保障。通过研究,我们既能看到刘校之优缺点,亦可见其以古典文学理论阐释应对西方文化冲击的爱国情怀。
Abstract:
Though there are not enough researches on the emendation part of Liu Yongji's Emendation and Interpretation of the Literary Mind and the Carving of Dragons in academic circles, Liu's revision, starting from Fan Wenlan's Annotation of the Literary Mind and the Carving of Dragons, later became unique in his own style and influence and plays an important linking role in the development of the emendation history of the Literary Mind and the Carving of Dragons. From a macro point of view, Liu Yongji has formed a unique style under the guidance of his personal cultural ideal, abandoning traditional textual study and heading straight to the understanding of the mind and the exposition of argumentations. This is not only a breakthrough to the traditional emendation paradigm, but also a prelude to new changes in the interpretation of the Literary Mind and the Carving of Dragons, hence a link between the past and the future in the research development of this monograph. Microscopically, with a holistic vision of the correspondence before and after, and the conherence inside and outside, Liu Yongji embeds closely the traditional emendation ideas into his own bold deduction to achieve a self-consistent argumentation to guarantee the authenticity of the emendation. Based on the research, we can not only see the merits and defects of Liu's emendation, but also feel his patriotic feelings to deal with the impact of western culture by means of the interpretation of classical literature theory.

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备注/Memo

备注/Memo:
收稿日期:2022-01-18
作者简介:沈 旭(1997-),男,首都师范大学文学院文艺学博士研究生,研究方向为中国古代文论。E-mail:893189616@qq.com

更新日期/Last Update: 2022-06-25